Released towards the end of July 2018, Heaven Will Be Mine is a queer visual novel focused on three complicated and confused women who pilot giant mechas.
First of all, I promise I’m not using the term, queer, as a homophobic slur. After all, not only does Heaven Will Be Mine heavily revolve around not only lesbians (which can clearly be seen in how the visual novel is marketed), but it also explores sexual identity, marginalization, transgression against popular opinion(s), and much more.

As such, the mecha elements of the narrative seemingly only serve to establish the setting and flesh out the characters. The true heart of the visual novel lies in seeing how the three protagonists resolve personal issues, come to terms with their feelings towards others, grapple with their shortcomings when it comes to communication, and so on.
The visual novel could be described as a messy drama, in short, and the writing manages to be skilled and detailed enough to fill players in while also being vague enough so players can insert themselves into the characters and/or potentially miss some subtle yet important details.
For instance, at least three of the characters are implied to be trans (there are instances where characters bring up “old bodies;” dead names,” which is a common term for the names trans people held before they began transition; and so on). As someone who has been with transgirls in the past, such representation feels so important that I can’t help but want to spread this aspect around for all to know even though some may decry it as being minor spoilers.

Be that as it may, the mecha aspects still remain important to the visual novel, which is really nothing new for mecha fiction in general. For example, Gundam can be roughly summarized as a long-running message against war and its devastating consequences which is expressed through the mecha battles. Similarly, the giant ships the protagonists pilot and science-fiction world-building – which often play second fiddle to the aforementioned wild girls who are moved into action by burning feelings, angst, and sudden urges – nevertheless are crucial to the plot as the endings do heavily rely on the player understanding at least most of the dense technobabble that pops out throughout the game.
And yet these endings can be interpreted as being more much than just the conclusion of player-chosen routes and mecha events. Like the rest of the visual novel, heavy topics such as the human condition, queer struggles, etc, are examined. The players obviously have to meet the game halfway in order to see what the studio had in mind with these endings, of course. And frankly, players also have to work to get the most out of this particular visual novel in general since so much of the game is purposefully ambiguous.
With that being said, this ambiguity is what makes Heaven Will Be Mine a queer story in the first place. Labels and categories inherently tie us down and exclude us whereas ambiguity is a sort of freedom against all of that. Therefore, the vagueness that Heaven Will Be Mine embraces similarly gives the visual novel more flexibility to explore difficult themes, be them conceptual or not (Forgive me if I’m wrong about any of this, by the way – I’m just a cissexual man who likes yuri and only attended a single university course on gender studies. TELL ME if I’m incorrect so I can learn, please).

I considered the UI of the game to be immersive yet frustrating. I really felt like I was operating a mecha (or that I was looking over the shoulder of the three ladies who were piloting these mechas) since the UI was sleek and futuristic. I also liked how the protagonists had different UI with different colour scheme and sound effects.
Be that as it may, the fact that the Data Log could not be immediately accessed via just scrolling up was inconvenient. Same with how the Save Data option automatically jumped to the first save file so players were forced to scroll down the list of save files, one by one, in case they wanted to save their progress in save file #8 or something.
However, I will admit that these design choices essentially force the player to slow down and not rush through character lines and exposition. Taking your time to read what happens is actually rather important in this visual novel considering the aforementioned ambiguity.
I personally love the artstyle and can’t get enough of it, but art is so subjective when you get down to it. Mia Schwartz’s style could be considered hit-or-miss, I think.
I highly recommend browsing the Steam forums to get some more insight into characters and the endings. Since I’m trying to provide a relatively spoiler-free review, I can’t go into as much detail as I’d like. Not that I’m all too confident in my interpretation, anyways. Talk about a visual novel that’s quite skilled at making you ponder.
Time for a pros-vs-cons list to wrap things up!
Pros
- Undeniably a queer story, which in this case translates into ambiguity and representation, woo!
- Lots of food for thought, as a result.
- The vagueness in turn means there’s a lack of overly explicit content.
- The UI looks and plays like something straight out of a mecha show!
- Don’t trick yourself into thinking only queer audiences or mecha fans can enjoy Heaven Will Be Mine! I think this visual novel has at least a few things for everyone.
- Pretty cool how the visual novels parallels / likes to reference We Know the Devil – according to what others have said, that is. I haven’t gotten around to playing WKtD yet…
- THE WRITING IS SO GOOD AT BEING CLEVER AND MAKING YOU THINK
Cons
- Some people detest ambiguity.
- That really goes for yuri media in particular. There are no explicit gay girl scenes aside from nakedness and making out. It’s mostly metaphors and such.
- The UI is also slightly inconvenient when it comes to rereading skipped-over lines as well as saving/loading files.
- While there are no bad endings to be had, a guide might be required to unlock all of those Steam achievements (if that matters to you). The fact that all three girls belong to three different factions make things very interesting (and harder for players who are going in blind, but it’s really not too confusing).
Oh, Mia Schwartz! I thought that art looked familiar! I didn’t make the We Know The Devil connection until I read this. This already looked like a game that was My Shit judging by the screenshots you were sharing, but now I’m extra sold on it. Thank you for sharing 🙂
WKtD is suuuper good, by the way (if you haven’t already been told that a million times lol). It’s definitely a more experimental, ambiguous visual novel, so it’s not for everyone, but if you liked this it sounds like you’d enjoy WKtD. After I played it, I could not stop thinking about it. I ended up playing through all the endings in one night, I was so hooked!
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Oh, phew, I’m very glad I brought WKtD up, then. It also makes my day knowing you’re interested in the game, yay!
If you’re saying WKtD is good then it must be so, haha (well I want to say that more certainly doesn’t hurt but not as many people bring it up when yuri visual novels are discussed ;___; )
You’re definitely on the money in regards to me liking experimental and vague visual novels. The ones that make you just think even after you’ve played through it are the best. And wow, that’s amazing!! Going through so many routes like that is impressive…
Thanks for dropping by! c:
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Mecha, introspection, and dramatic spills?? This actually sounds really good! Thanks for sharing it Remy!
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It’s a very interest visual novel, to be honest, haha. Thank you for dropping by, Takuto!!
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