For those of you who want to know what happens in The Shadows of Pygmalion without actually playing the game or got confused while playing said game, this (potential) series is for you!
Tag: review
The Shadows of Pygmalion – Visual Novel Review
Originally released back in 2013, The Shadows of Pygmalion was localized and was made available in English during late Februrary 2017. I actually first found out about MangaGamer’s plans for the game back in June 2016, so I’ve been waiting for Pygmalion for over six months (and I’m sure many people have been anticipating this release for much longer). Was the game worth the wait?
Continue reading “The Shadows of Pygmalion – Visual Novel Review”
Love Ribbon – Visual Novel Review
Released in January 2017, Love Ribbon is a yuri visual novel about taboo love between two sisters. What do I think of this daring visual novel?
Negligee – Visual Novel Review
A visual novel that was released back in October 2016, Negligee is a story of love and lingerie. Is it worth your time and money?
(Spoilers in this review)
Catch Canvas – Visual Novel Review
Length: Short (1-3 hours)
Lewdness: 3/3 (Lots of Yuri Sex should you install the Director’s Patch)
Price: 9.99 USD
It turns out I was mistaken about this game since you do have the option of playing as a girl. Seems like I messed up at the very beginning.
Not actually yuri. You can select your gender but it’s incredibly obvious that you’re a male since many references to the nature of your gentalia, as well as you being the only male, are made throughout the story. As such, choosing to be a female is actually meaningless.
Ne no Kami – The Two Princess Knights of Kyoto Review
Originally released in Aug 2015, Ne no Kami – The Two Princess Knights of Kyoto was recently localized by Denpasoft and Sekai Project. The Indiegogo backers received their copies back in September, but the game was publically released a few days ago. How does this yuri VN about Japanese mythology and love fare? Continue reading “Ne no Kami – The Two Princess Knights of Kyoto Review”